Most people today have not heard any Jesus Music because it happened long before 2000 AD.
Blame it on the desire by so many programming today’s Christian radio and churches to be perceived as “relevant” but there is an unwritten rule not to feature any songs recorded last century during worship or on the radio. Many Jesus Music pioneers who are actively performing today get very little airplay and tend to draw small concert crowds. Yet when one hears Jesus Music, it is instantly recognized as a “Christian” song compared to some of today’s Christian Music.
Last week I was chatting on Facebook with Al Cox, who has just launched a new public group “CCM & Christian Rock of the 80’s & 90’s” ( https://www.facebook.com/groups/1713244062229156/) when he commented that at 42 years old, he never tires of the “classics”. “Neither do I” was my response when he said something that was so profound,
“Yeah, something about the music then that isn’t there now.”
Boom! Did that get me thinking. I’ve been listening to Christian Music since the mid-1960’s. I founded SnTRadio.com in part to curate all the Christian Music that I could get my hands on since the Jesus Movement and place it into an on-going and ever expanding music archive online. My intention has been to educate and inspire future generations with an accurate musical timeline, which takes listeners all the way back to the roots. You can read through the majority of the hard-to-find Jesus Music portion of the archive while listening to SnT Radio here. Then Al added;
“Some of the stuff today including rock, really lyrically you can not tell if it is Christian or not. You knew it with, Dion, Dallas Holm, Carman, Petra, and others.”
I think a couple of distinctions need to be made in order to fully understand the good, the bad and the ugly concerning the current state of Christian Music. First, in my opinion, there are only two distinct forms of Christian music being produced: one is strictly for commercial purposes (profit), and the second is for worship and edification of the church. All the major Christian labels are now subsidiaries of secular record companies like Sony and Capitol.
Vague lyrics or just the mention of Jesus in a pop song doesn’t make it “Christian” per se. On the other hand, Jesus spoke in many parables to effectively communicate the Gospel and describe the Kingdom of God. He did this so a mass audience would understand His teaching. Knowing when and how much to quote the Bible is as much a matter of discernment as is reducing God’s Word to a readable bumper sticker. Overkill never works well. It normally ends badly with the exact opposite of the desired outcome. Al the added,
“I saw a recent Christian rock title called “CoConut Dracula”. I don’t even think of horror things when I think of Christ. Yeah, that’s why I don’t listen to much new stuff.”
I fully get bands like Mute Math or Stryper, (Michael Sweet) or Switchfoot saying “we’re not a Christian band, but a band comprised of musicians who happen to be Christ-followers.” Even U2, one of the biggest bands in the world for the past 25 years started out playing sets dominate with Christian message songs for Christian youth rallies in Ireland until they elected to make a change in bass players who was not a professing Christian. Yet one of the highlights of every U2 performance is the song 40 (based on Psalm 40) that ends with thousands singing the chorus acapella as single spotlight tightly focuses on Bono’s crucifix that’s dangling from a microphone stand in the darken hall or stadium. In these days where non-Christlike activity (aka sin) is saturating the media, the Internet, and every aspect of society even a little light shines bright.
The fact that a large segment of popular Christian Music is designed for radio with sales and profit as the driving force is not at all surprising because they have dividends to pay to their stakeholders. The key distinction is the primary motive for creating the music. One is for making money and profit. The other is to worship God on earth as it is in Heaven.
Modern worship from the likes of Hillsong, Bethel Music, and IHOP-KC have all shared roots in common with the seminal worship & praise bodywork of Keith Green, Andrae Crouch, The Vineyard, Integrity and Maranatha Music from the Jesus Movement of the 70’s, The Vineyard and Integrity from the 80’s afterglow.
The influence of Morningstar Ministries musicians Don Potter and Leonard Jones combined with the teaching of Ray Hughes over the three decades have been a bridge from the old “worship & praise” to the now sound that is fueling the new uncompromised and spontaneous worship cherished by so many of the millennial generation. Giving glory to God and encountering the manifest presence of God is the driving motive behind the creation of this worship music. Pure, genuine, and authentic vertical lyrics that lead listeners into an atmosphere of Heavenly worship described in Revelation 4 and 5 is the goal.The songs and psalmists that break through into this lofty realm become the modern hymns churches sing with regularity.
My response to Al’s original statement was “I believe that it is a kind of anointing by the Spirit of God that was present during the Jesus Movement.” Even though there were “Christian” record labels back in the day the music was created in most cases to glorify God as a priority and make money if possible. It appeared that God honored and blessed it. When Christian Music became more of a business, Jesus Music faded somewhere along the way until a few went back to creating music in worship to God as in Heaven. So now you have the true spirit of the Jesus Movement sweeping through and stirring up a whole new community of worshippers to benefit the body of Christ. This is a real move of God and I’m expecting a revisitation upon this generation like we saw in the late 60’s and 70’s.
Written by James Kevin Burkhardt